I never travel without my notebook. One should always have something sensational to read in the train.
— Oscar Wilde
After work today I went to The Art Store in Georgetown, and picked up two pocket-sized, graph-paper Moleskine notebooks, which is to become my vade mecum. Great for tasks like drafting journal entries when away from the computer, and drawing little maps. I inherited this latter cartographic ritual from my architecturally trained father. In the pre-Mapquest days (and even now), whenever we went on a road trip to somewhere new, whatever the distance or occasion, my dad would not only procure the relevant AAA street map (we’ve built up quite a collection over the years), but he’d also draw a simple, easy-to-read map on a sheet of note paper, showing the route approaching the destination and a few secondary roads for reference. Armed with directions, I’d sit in the front passenger seat, content to play navigator.
These days, though I don’t have a car for road tripping, I still love to study maps and find it helpful to sketch some of my own when traveling. To me, doing this geographic homework makes traversing an unfamiliar city more enjoyable. You’re free to wander and improvise, since you know what chords to fall back on. Pardon the barely cogent metaphor. It’s late, and I’m grasping at straws. I need sleep. But I digress. I finally have my notebook. Super. And now that I can document any passing thought whenever and wherever with ease, perhaps my journal entries will start to expand? Ah, you poor, gentle reader.
(On the front page of the notebook, under a place for contact information labeled “In case of loss, please return to…,” it also has “As a reward: $…” followed by a very wide space. Ha, yeah, right. Maybe I should write in something like “my eternal gratitude” or “one [1] cup of coffee.”
Still, I can understand the sentiment printed on outside wrapper: “‘Losing my passport was the least of my worries; losing a notebook was a catastrophe.’ — Bruce Chatwin.”)
‘The Bronx is up and the Battery’s down…’ In “What Lies Beneath” Clay Risen compares the systems in New York City and Washington. New York comes out on top, and I have to agree for the most part. (Still, it might not be a fair comparison, since the subway’s role in each city is quite different; just take for example the disparity in number of stations.) While D.C.‘s fewer, cleaner stations — most with soaring, barrel-vaulted ceilings, which require underground stations to be located several stories below street level — speak to a kind of elegant, uniform aesthetic, New York’s have character. You never really know what you’re going to find down there. All yours for a buck fifty. (For reference: the subway maps for Washington and New York.)
Living room Shakespeare festival. At Barnes & Noble, I found a neat thing called Shakespeare in a Box, which helps you stage your own home production of the Bard’s work. The two titles available are King Lear and The Taming of the Shrew, and each comes with an abridged 45-minute script and a few essential props. Cute. Rajani envisions family pets being cast by their owners to play a few roles. Hey, when you’re short on actors, you gotta do what you gotta do. “Okay, Fido, again, with feeling this time!” Is it cruel to dress your pup in pantaloons? Which reminds me, anyone remember the PBS kids’ series Wishbone?
Speaking of Shakespeare, tomorrow night (Wednesday 26 February) Great Performances airs the recent London revival of Kiss Me, Kate, Cole Porter’s musical recounting “the backstage and onstage antics of two feuding romantic couples during a touring production of The Taming of the Shrew.”